 See Larger Image | Supernatural Artist : Santana List Price : $16.97 USD Your Price : $9.97 USD ProductGroup: Music Release Date : 1999-06-15 Studio : Bmg/Arista Label : Bmg/Arista Avg. Customer Rating : (1078 reviews)
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Reviews Customer Reviews for Supernatural Doesn't even reek of the 90's, Part 2 Rating: First off, Supernatural is not *just* a Santana record. It's more of a mix between Santana, his band, his collaborators and sometimes the producers. It's really a great sounding record all around, and despite it's mainstream trappings, I found pretty much all the songs good (not awesome or great, mind you). I'll tackle the album in it's two different faces: The more traditional (though this one is far from the traditional Latin music it seems) songs (give or take), or the less traditional, latin-pop songs.
Santana and his band of percussion instruments, horns, keyboards, the works are probably the best, and Carlos Santana makes his guitar sing and never wastes a note. The very first note on (Da Le) Yaleo hits you like a refreshing drink of water, enough to make you say ahhhhh. The band is tight and well arranged, and Santana and his band swing effortlesly between moods and styles. The grooves are greatly dominant here, with all of them percussion creating an infectious grooves. The sound samples aren't lying. Listening to this will take you to the shores, sunsets, wherever the music is from =). Good stuff, and stay tuned for the The Calling, with Eric Clapton!
The more poppy songs are, weaker obviously, but still, actually pretty _______ good. The two really bad ones are Put Your Lights On (everlast sucks), and Do you Like The Way (Lauryn Hill can't rap, or compose worth a ______). Unlike other crappy pop music with a fake Latin shtick of the time (ricky martin), there is actual Latin in it and actually pretty much is Latin, only with poppy vocals and rhythms, and a slightly poppier tone (but still has the unmistakenable latin roots, and sounds very latin).
Each of the guest vocalists do great, and often write their own material. The two most infamous tracks I actually dig, being Smooth and Love of My Life (and I really, on a whole, despise Matchbox 20 and that yuppie poon rob thomas). Maria Maria is the weakest on here, but it's pleasant and doesn't bug the crap out of me. Plus, the instrumentation is rather beautiful. Corazon Espinado is just as dancable as Smooth. Wishing It Was has good music, good enough to ignore the absolutely banal lyrics. Supernatural has a great collection of pop songs, while not excellent, really are darn good.
If you like this, you might also want to listen to Marc Ribot Y Los Cubanos Postizos. I think they go together quite well and both sound great, though this one is more lush, while the other is just plain better. If not, well, this album is still worth a purchase if you haven't. Well, don't be scared because of Rob Thomas or Dave Matthews. There's plenty to be had without them.
8/10
Customer Reviews for Supernatural Cd Santana at his best Rating: This work is Santana at his best. His collaboration with other artists adds to both making an explosion of talent. An audio treat best listened to at night when the imagination can fire up and see his work.
Brilliant.
Susan
Editorial Reviews for Supernatural Audio Cd Amazon.com essential recording The Arista debut of Carlos Santana and band gives fans of the soulful guitar vet two albums in one, but it's a decidedly good-news, bad-news proposition. First, there's a fine collection of late-'90s-model Santana--tastefully tooled songs driven by Latin jazz and Afro-Cuban rhythms ("[Da Le] Taleo," "Africa Bamba," "Migra," "Primavera," and the emotionally charged instrumental "El Farol") that allow Carlos plenty of elbowroom for his passionate soloing. Then there's the collection of tracks featuring a lineup of de rigueur alternative and hip-hop stars, including Dave Matthews, Everlast, Rob Thomas, Lauryn Hill, Wyclef Jean, and Eagle Eye Cherry. To their credit, Matthews ("Love of My Life") and Eagle Eye Cherry ("Wishing It Was") muster enough chemistry to make the fusion work. But the rest of the collaborations feel like an unnecessary stretch to reach out to a younger demographic that El Jefe has little trouble attracting on his own terms. --Jerry McCulley
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