Come On Pilgrim Music Cd

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Pixies - Come On Pilgrim

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Come on Pilgrim
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Come on Pilgrim
     Artist : Pixies
     List Price : $9.99 USD  
     Your Price : $8.99 USD
     ProductGroup: Music
     Release Date : 2003-05-20
     Studio : 4ad / Ada
     Label : 4ad / Ada
     Avg. Customer Rating : (31 reviews)

     


 Reviews
Customer Reviews for Come On Pilgrim
     Just Part of the Blueprint for Nirvana
     Rating:
     There is roudiness in here. Black Francis coos and snarls in a way in which Kurt Cobain would just do. Cobain played along with Francis' way, as shown in his band Nirvana. Such wonderful and raunchy tracks include the Spanish introduction in "Vamos", "Isla de Encanta"(you can hear Mrs. John Murphy singing softly in this one as background vocalist), and "I've Been Tired", the song featured subtly in M. Night Shyamalan's "Unbreakable" in which "Mr. Glass" is down in mood at a comic book store. The song is heard over the intercom.
   

Customer Reviews for Come On Pilgrim Cd
     We are Not Men, We are Pixies!
     Rating:
     Ladies and gentlemen, let us introduce the essence of the pre-mainstream `Pixies:' with themes that are rather indecipherable, but of which utilize a personality that will make the hairs on the back of your neck run, duck, and cover--hiding from the creepy-crawly bass, the spidery, frothy, and utterly venomous guitars, and squashy drums, that all make a cloud of noisy, alternative punk-pop aggression. All this is propelled with yelping, screaming, wailing, and chanting. To boot these lyrics are sometimes even shouted in Spanish, like a language-confused banshee. It should go without saying that you may feel awkward and neurotic, all while dancing around the room, charging full speed into the wall having finally uncovered a new kind of kick. This adrenaline rush always comes back when listening to this album, coming in the shape of a Pixie, it has your first and last name, and like with Santa Claus, it's your decision if it'll make you naughty or nice. Simply, it is impossible to not get into the `Pixies.' That is, as long as you are not Fascist, a wife beater, part of the Ku Klux Klan, or a Ronald Regan enthusiast. In other words, `Pixie' haters are just evil people-- as this is a band that is special to many people's hearts, this writer obviously included. So, now you ask me to stop drooling and actually write the bloody review. Ok, no problem. Just where do I begin?

Out from the shadowy corner of the once small underground cult movement of Indie rock came the Pixies, a quartet from Boston, who with financial help from the father of their lead singer, Black Francis (who would later change his name to Frank Black when he went solo,) recorded seventeen songs that became known as `The Purple Tape.' Eight of these are found on "Come On Pilgrim," their 1987 debut EP--many of the other tracks are available on different albums, and are also collected on a self-titled compilation.

Even when looked at by itself, "Come on Pilgrim" is a feat, throttling amongst bursting stop-go-and-explode stampedes of alternative power-pop with a healthy ode to the previous decades' punk rockers. This album is scary in its crooked delivery, and that alarming disarray factor is one of their more impeccable qualities, along with their clever, and wicked antics; as the song `I`ve Been Tired' says, it'll make you "want to be a singer like Lou Reed," but certainly would not make you want to "lose your pe*is to a wh*re with disease," unless of course it is the only way you could turn into a Pixie fan.

The first song, Caribou, and the squally voice of Francis, amiss the splintery, albeit modest string instrumentals of lead guitarist Joey Santiago, bassist Kim Deal, and the steady, clambering beat of drummer David Lovering, as well as the cries to "repent," make the listener know that this is not a usual day in the musical factory. The song tries for a feeling of didactic self-evaluation, yet the lyrics are impenetrable, even bad in the poetic sense. However, its not about that, its about turning the normal musical conventions around, and creating a song that is catchy, even if it is quite fragmented. While other songs have very memorable and playful lyrics, for example, `Nimrod's Song,' contains the winning lyric: "My sister held me close and whispered to my bleeding head, "You are a son of a Mother ****er"

`Come on Pilgrim' lassoes you in with noisy dynamics, drawing you in with its instrument hooks. Yet, even if the sound is unique, admittedly it is also more loud feedback than sophistication. On this Indie album, they obviously were not yet heavily produced, as each song sounds a bit alike, although the `Pixies' try to add individuality to each track, the music still never slows it down, or travels past a certain aggressiveness, choosing to stick to the similar tempo as the next one. "Come on Pilgrim" is an imperfect, but accessible debut from one of rocks most consistent acts of the late 1980's/ early 1990's period.

**** ( Out of 5)


Editorial Reviews for Come On Pilgrim Audio Cd
     Amazon.com essential recording
     When they first hit the underground scene with this debut album, the Pixies were like an exotic drink that hid its sweetness behind a ferocious bite. The album's production is like a crude explosion: every strum and clang comes down with the subtlety of a sledgehammer. English and Spanish lyrics collide as singer Black Francis (later Frank Black) shouts in a hoarse monotone and Mrs. John Murphy (later Kim Deal of the Breeders) backs him up with throaty wails. Yet somehow the clash of these bruising titans makes for tracks that print indelibly upon your consciousness--once let in. Kurt Cobain is their most famous student. He grafted the Pixies' time-honored craft of the big bang theory onto Nirvana's biggest hits. (You start with a quiet verse and then explode for catharsis in the chorus--evidenced best here with "I've Been Fired.") The Pixies themselves have served quietly, attaining post-punk godfather status not by tooting their own horns, but through the praise of a steady stream of genuflecting admirers whose word of mouth continues to increase the band's deserved critical standing. --Rob O'Connor


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