Guns N Roses Welcome To The Videos Keep Case Music Cd

Guns N Roses - Guns N Roses Welcome To The Videos Keep Case

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Guns N' Roses - Welcome to the Videos (Keep Case)      List Price : $14.98 USD        Your Price : $10.97 USD      ProductGroup: DVD      Actor(s): Guns N' Roses Movie      Release Date : 2003-10-28      Studio : Geffen Records      Label : Geffen Records      Avg. Customer Rating : (98 reviews)      Running Time : 75

Reviews Customer Reviews for Guns N Roses Welcome To The Videos Keep Case      Guns & Roses forever.....      Rating:      For the money, you can't go wrong with this one. Axel might not make the most responsible father in the world, but he sure is a one hell of a singer!     Customer Reviews for Guns N Roses Welcome To The Videos Keep Case Cd      Incomplete!      Rating:      Why is "You Could Be Mine" not included here? Maybe it's related to Arnold or the song being in the movie, but it's very unsatisfying to watch this and see no YCBM on it. Also, I wish Sweet Child O'Mine could have been the full version of the song (without the truncated intro), but that's not the band's fault I would guess, but the record label. Anyway, this is a standard DVD so it looks lame in terms of picture quality, but converted to 320x240 AVC and playing on my PSP it looks great! Editorial Reviews for Guns N Roses Welcome To The Videos Keep Case Audio Cd      Amazon.com      Here's a baker's dozen of Guns N' Roses' most explosive and memorable music videos from 1987 to 1993, and what a lesson they provide in the early evolution of visual style on MTV. Looking back, it seems Guns N' Roses embraced almost every "type" of music-video setting: "Welcome to the Jungle," for instance, finds rapid images of the band's stage performance interspersed with a semi-narrative featuring Axle Rose as a newcomer to the big bad city. "Paradise City" is set against an arena sound check, while "Sweet Child O' Mine" is structured around the now-threadbare idea of a video documentary about a video production. A couple of obsessive themes emerge from this anthology, the starkest involving love and watery deaths ("Don't Cry" and "November Rain"). Most interesting is the opiate-like distortions of "The Garden" and the surreal "Since I Don't Have You," starring Gary Oldman as a grinning devil. --Tom Keogh