Fall - Imperial Wax Solvent
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 See Larger Image | Imperial Wax Solvent Artist : The Fall List Price : $32.99 USD Your Price : $32.99 USD ProductGroup: Music Release Date : 2008-10-07 Studio : Ume Imports Label : Ume Imports Avg. Customer Rating : (3 reviews)
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Reviews Customer Reviews for Imperial Wax Solvent The band that keeps on delivering Rating: It's kind of bizarre watching the Fall keep going, and going. I first picked up a Fall album five or six years ago. They were one of those art rock/noise bands I just never quite got around to. Well, that's OK; by the time I did, I had twenty-five years of material to sift through. And they haven't stopped producing.
By this time, Mark E Smith is almost a reproach, and a dare, to others not only of his own generation, but subsequent musicians. I love that he doesn't really play old material in concert, just the most recent couple of albums. But honestly, when you see this unsexy gargoyle up there at the microphone, with hot wife # 3 playing keyboards, and a rotating crew of new musicians to bully into shape, it seems....well it seems to make perfect sense. And I don't know how much fun it is to BE in the Fall, but it's a hell of a lot of fun to watch. I've taken nay-sayers to Fall concerts and they come away converted. The Fall deliver the goods.
There are some super high points on this album. At other times, they seem to be insisting a little to hard. But that's OK. I hope they come back to the USA this year. I will skip work, travel 500 miles, with a car full of unwilling converts-to-be, to see them do their thing. It'll be fun.
Customer Reviews for Imperial Wax Solvent Cd "I'm the type of guy who knows what's on CD": MES snippet Rating: If you're reading this, you probably already know the sound and the attitude of The Fall. This latest album reminds me of Jack MacGowran, the famous interpreter of Beckett. Smith's on by now reveling into the role of an elder pundit, or at least a raconteur. His poses may throw many listeners off, but watch and listen and you will be rewarded.
Uncompromising, hectoring, erudite, maddening, and either a band you must play immediately, or one that you wait to cue up, depending on when your moods match Mark E Smith and his ever-changing lineups.This latest record proves The Fall's found again a concentration on a rawer, less worked-over, more live-in-the-studio sound. The production is muddier yet when it's The Fall, this mix is intentional, most likely.
This album feels more a product of the streets. It has a twitchy, amp-driven, buggy quality that takes much from dance and DJ-led music today, but which channels this into thirty years of postpunk restlessness, and a love for primitive, plugged-in, garage rock and roots sounds. This album reminded me of the late 90's disc "Levitation" with its electronics and its emphasis on digging into grooves that may not change much, but which intend to repeat and gnaw into the structure of these-- for the Fall-- rather stripped-down, compact songs.
This stress on brevity also recalls an early 00's effort in its tone and feel, "The Unutterable," again by a group of musicians that may not have lasted long as The Fall, but which, as with this one under review, constituted a shift in the members after a period of earlier consistency. Albums tend to vary widely by the musicians who work with MES as The Fall, and the "Reformation" CD that preceded this one did not match the highlights of the more stable band that gave us the decade's solid efforts "Real New Fall" and "Fall Heads Roll." I preface my review of the album, therefore, with context, as this is essential for placing a new disc into a collection of over two dozen studio efforts and counting, pretty much at one each year.
"Alton" opens with lots of processed keyboards, akin to the jungle music experiments on "Levitation." "Wolf" features a straight-ahead, almost retro, guitar riff, akin to mid-00's delivery of short, punchy tunes. "50 Year Old Man" as you'd expect lives up for eleven minutes to its title, as if MES is rapping in his own inimitable fashion to lecture the upstarts. I did not find this as annoying as some have, but certainly it's a test of a true fan, who'd have it no other way given the lyrics.
"I've" returns to "Wolf" in its pared-down style, with a similar rant, even more 50's in its approach. By the way, unlike many recent Fall albums, the sequencing works very well. No song is out of place, no bizarre cover songs throw off the pace, and each track feels exactly where it should fit into the assortment. "Strange", having said this, does make the weakest entry, as Elena's vocal's too languid and imitates her husband's cadences too predictably: I'd have preferred hearing her own voice in her own style. Yet, the music propels the beats along well enough, and it's a brief turn at the mike for Mrs. Smith.
"Taurig" feels endless, lots of electronics and a German influence that may work off of MES with his recent work as Von Sudafed with the duo Mouse on Mars. "Can Can" gives a heavier dose of this mix, but livelier. "Tom" recalls "I've" and "Alton" in a return to spindlier guitar twang; "Latchkey Kid" has a fine fuzz effect over the electronic layers.
"Is" too gives a solid interplay between instruments, locked into a groove. "Senior" reminds me of "Wolf" with a more modern sounding, yet somehow rockabilly feel a title track of sorts. The last song closes with a grinding trade between a sharper sheen and a weary yet wise vocal valediction: "Believe me, kids, I've been through it all."
Editorial Reviews for Imperial Wax Solvent Audio Cd Album Description Tracks:-Alton Towers, Wolf Kidult Man, 50 Year Old Man, I've Been Duped, Strange Town, Taurig, Can Can Summer, Tommy Shooter, Latch Key Kid, Is This New, Senior Twilight Stock Replacer, Exploding Chimney. Sanctuary. 2008.
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