Accelerate Music Cd

Coldplay - Accelerate

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Accelerate      Artist : R.E.M.      List Price : $18.98 USD        Your Price : $14.99 USD      ProductGroup: Music      Release Date : 2008-04-01      Studio : Warner Bros / Wea      Label : Warner Bros / Wea      Avg. Customer Rating : (211 reviews)

Reviews Customer Reviews for Accelerate      Overhyped      Rating:      Accelerate can be one of those albums which fans, upset with R.E.M.'s last few releases, may judge too highly, throwing out words like comeback just to describe a vague adult-rock, easy going consistency in a way which almost insults some of their finer intricacies.     Customer Reviews for Accelerate Cd      New and Old      Rating:      Hailed even pre-release as a return to R.E.M.'s roots, and the press laid so much credence in this thought - it would kind of be hard to live up to. The result - they do and they don't. Is 'Accelerate' the new 'Fables of the Reconstruction'? No. But I didn't expect it to be. But on the upside, it's also not one of their last two or three releases either. While those were not horrid, they were just there and not horribly well thought out. I enjoyed 'Accelerate' - more than any disk since 'Automatic for the People' - but that is not to compare those two disks. The new release has much much much more guitar - much more of a core band feel. It is a welcome retro feel, but it is not 1980 - make no mistake. I really enjoy the first four songs - especially "Hallow Man" and "Supernatural Superserious". Michael Stipe's vocal abilities haven't changed too much over the years, but what I never hear anyone go on about is how much Mike Mills' harmonies really help make the band. I've always been a fan of Peter Buck's guitar playing. 'Accelerate' isn't as fun as 'Document', 'Reckoning' or 'Murmur' - but it's not meant to be. Of course, I just might be stuck in my own nostalgia. But 'Accelerate' takes the energy of the old R.E.M. and sticks them in the present. Editorial Reviews for Accelerate Audio Cd      Amazon.com      In the decade since the departure of drummer Bill Berry, R.E.M. could seem at times schizophrenic. Their albums of the era, which veered from the experimentalism of Up and reaffirmation of Reveal to 2004's more diffuse, reflective Around the Sun, often stood in stark contrast to the vibrancy of their live act. But here the alt-rock godfathers have resolved that dichotomy with their most focused and satisfying album in over a decade; a collection that doesn't so much revisit the bracing ethos of the band's '80s coming-of-age, as boil it down to its essence and supercharge it with the energy of their contemporary stage shows. That sensibility is evident from the opening track, "Living Well's the Best Revenge," where Peter Buck's aggressive, distortion-drenched riffs and Michael Stipe's gruff snarl set the tone for "Mansized Wreath," "Horse to Water," and "Supernatural Serious"; rockers that bristle with the abandonment and aggressive energy of a band half their tenure. Yet it's no mere blast-from-the-past. The inclusion of the band's recent touring musicians (Scott McCaughey on second guitar and drummer Bill Rieflin) into the session mix, as well as working out much of the material live onstage in Dublin, has yielded something more sonically akin to R.E.M. 2.2. Stipe's penchant for the lyrically opaque has been largely supplanted by an edgy, articulate passion that variously explores "Houston'"s displaced Katrina refugees, the bluegrass-tinged "Until the Day is Done," and the more typical, quiet self-examination of "Hollow Man," before exploding in the album's unlikely, upbeat elegy "I'm Gonna DJ," where singer and band find renewed hope in not only music, but themselves. --Jerry McCulley